This practical principle also informs the present piece, which the artist modified in details as commissioned. With the outbreak of World War I Van de Velde was forced to return to his native Belgium. Please refer to the appropriate style manual or other sources if you have any questions. In 1901 Van de Velde was invited to Weimar as consultant to the craft industries of the Grand Duchy of Saxe-Weimar. The Schulenburg Mansion in Gera embodies nascent modernism in Europe. Van de Velde designed this smaller building of Bauhaus University in 1905. Antwerpen 1863 - Zürich 1957 The Belgian architect and designer Henry van de Velde is a leading exponent of both "Jugendstil" and "New Objectivity". Influenced by his admiration for Rusking, Morris and Voysey, he redirected his efforts as a designer. Let us know if you have suggestions to improve this article (requires login). About his life. Noted architect Henry van de Velde (1863-1957) designed gorgeous, modern buildings and interiors in his now famous Art Nouveau style. Images are courtesy of www.vandevelde2013.de. They collaborated on a number of projects together, including designing wallpapers and femal… Omissions? Note the bowed out large windows, very Art Nouveau in design, that let in an abundance of natural light. Born in Antwerpen, he started as a painter influenced by He built his first house for himself in Brussels("Bloemenwerf"). “A feeling of restlessness and lack of satisfaction dominated us so generally around 1890,” wrote Henry van de Velde in his Kunstgewerbliche Laienpredigten (published in German in 1902). Van de Velde, who wanted the house to be functional and rational, drew inspiration from the architecture of … The resulting crisis of artistic meaning caused him to abandon his career as a painter around 1893/1894 and turn to architecture and applied art. ‘Henry van de Velde: the Artist as Designer’ by Richard Hollis (Occasional Papers, 268pp, £20) ‘Pivotal’ is an apt descriptor for Henry van de Velde (1863-1957), the prolific Belgian designer whose life spanned the decades of seismic change between Delacroix’s death and Ai Weiwei’s birth. Henry van de Velde (1863–1957) is a pivotal figure in the history of modern design. Van de Velde was the director there from 1902 - 1917. In the late 19th century Flemish architect Henry van de Velde was the frontrunner for Art Nouveau architecture. Van de Velde’s most vital contributions to modern design were made as a teacher in Germany, where his name became known through the exhibition of furnished interiors at Dresden in 1897. Henry Van De Velde was born in Antwerp, Belgium in 1863. Henry Clement van de Velde, après avoir assisté à la 1881 un 1884 l'académie Anvers et après 'expérience symboliste à Paris (1884-1885), a commencé ses activités en Bruxelles. He was one of the first modern architects to exclusively favor the "form follows function" theory in architecture. His radical ideas on design education were absorbed into the Bauhaus. Kessler, a museum director, Elisabeth Förster-Nietzsche, sister of the philosopher, and Van de Velde, artist and architect, were part of the »New Weimar« movement, which pursued a vision of modern man as expressed in the medium of art. This building is also listed as a UNESCO World Heritage Site. Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree.... Get a Britannica Premium subscription and gain access to exclusive content. Graphite on paper. Image source: https://www.dw.com. Together with Victor Horta and Paul Hankar he could be considered as one of the main founders and representatives of Art Nouveau in Belgium. Henry van de Velde (1863–1957), Design for the final site of the Nietzsche Memorial, 1911–1912. “Just as in the work of Victor Horta or Henry van de Velde, for example, form and content must align perfectly, and form is inspired by function. Together with Victor Horta and Paul Hankar, he is considered one of the founders of Art Nouveau in Belgium. One of his most important commissions came in 1895 when he designed the interiors and furniture for the famed Maison de l’Art Nouveau in Paris. The 2013 exhibition Henry van de Velde – Passion – Function – Beauty, celebrating the 150th anniversary of Henry van de Velde’s birth changed this perspective completely. May 6, 2016 - Henry Clemens van de Velde (1863 – 1957) was a Belgian painter, architect and interior designer. Corrections? He took particular care to arc the building to give the inside a cavernous effect. Fonds Henry van de Velde, ENSAV La Cambre. The press conference will be held at the Neues Museum Weimar in commemoration of the 150 th anniversary of the Belgian architect and designer Henry van de Velde. Refusing to bend to the process of historical patterns, which he thought were banal and hideous, he put his Art Nouveau mark on everything; buildings, furnishings, china, wallpapers, and even draperies. This assignment was very controversial because of the foreign nationality of van de Velde. In 1902 he went to Weimar as artistic adviser to the grand duke of Saxe-Weimar. The son of a wealthy chemist, he initially studied painting. He is a celebrated architect. He designed it in close collaboration with his wife, Maria Sèthe. Van de Velde designed the furnishings to match the shape of the room. In celebration of Henry van de Velde’s 150th birthday events and exhibits will be take place in Thuringer and Saxony throughout the year. After starting his career as a painter in Belgium, Van de Velde turned to architecture and design after becoming enamored with the works of William Morris and John Ruskin of the Arts and Crafts Movement (1860-1910). Van De Veldes work was very organic in it's flow which reflects the artist that he was. Henry Van de Velde. In many ways, Art Nouveau was an ineffectual movement; neither capable of making great changes in the artistic landscape nor capable of moving those that appreciated it. Henry van de Velde was born in Antwerp in 1863 and died near Zürich at the age of 94; he worked almost to the end of his days. It was from these that the Bauhaus style of architecture emerged. During the time that Van de Velde was director of the school, 1902 to 1917, he designed several houses in Thuringer and Saxony. By signing up for this email, you are agreeing to news, offers, and information from Encyclopaedia Britannica. Henry van de Velde was born on April 3, 1863 (age 157 years) in Belgium. The main building of Bauhaus University. This villa, which is named Bloemenwerf, meaning courtyard of flowers, was Henry Van de Velde’s first creation as an architect. The centrepiece is a long table, prepared for … Van de Velde and two other Belgian architects, Victor Horta and Paul Hankar were the founders of Art Nouveau, or, Jugendstil architecture as it is called in Germany. ), Belgian architect and teacher who ranks with his compatriot Victor Horta as an originator of the Art Nouveau style, characterized by long sinuous lines derived from naturalistic forms. Henry van de Velde Belgian The design of this chair goes back to van de Velde’s groundbreaking demonstration of his “new style,” which he presented to the public at Bloemenwerf, the home he designed and built for himself in 1895 in the Brussels suburb of Uccles. Henry van de Velde, in full Henry Clemens Van De Velde, (born April 3, 1863, Antwerp, Belg.—died Oct. 25, 1957, Zürich, Switz. Like the progressive German designers at the time, van de Velde was connected with the Deutscher Werkbund, and he designed the theatre for the Werkbund Exposition in Cologne in 1914. While every effort has been made to follow citation style rules, there may be some discrepancies. Our editors will review what you’ve submitted and determine whether to revise the article. Noted architect Henry van de Velde (1863-1957) designed gorgeous, modern buildings and interiors in his now famous Art Nouveau style. The design and installation of large windows provided the students with natural light. Built between 1913 and 1915, it was designed by Belgian architect Henry van de Velde as a Gesamtkunstwerk, a total work of art. After this important creative period, Henry van de Velde left Weimar and worked as an architect in Belgium, the Netherlands and Switzerland. As a student Vincent Van Duysen already considered architecture in a wider context. He has 2 children Nele van de Velde, Thylbert van de Velde. Henry van de Velde, in full Henry Clemens Van De Velde, (born April 3, 1863, Antwerp, Belg.—died Oct. 25, 1957, Zürich, Switz. They are now listed as UNESCO World Heritage Sites. House "Bloemenwerf" in Ukkel (1895) Kunstgewerbeschule Weimar (1907) Deutsche Werkbund Theatre in Köln (1914) Henry Clemens van de Velde ([ɑ̃ˈri vɑndəˈvɛldə]; 3 April 1863 – 25 October 1957) was a Belgian painter, architect and interior designer. Born the son of an apothecary in Antwerp in 1863, Henry van de Velde studied painting at the Antwerp Académie des Beaux-Arts from 1881 until 1884. He was one of the first modern architects to develop the theory "form follows function". Be the first to see our latest home tours, design news, and more. Updates? Born the son of an apothecary in Antwerp in 1863, Henry van de Velde studied painting at the … It was he who recommended to the Grand Duke that Walter Gropius be appointed his successor as superintendent of the School of Art and Applied Arts. His meeting with Maria Sèthe, his future wife, was instrumental in this change. Together with Victor Horta and Paul Hankar he could be considered as one of the main founders and representatives of Art Nouveau in Belgium. Van de Velde Henry Clemens, known as Henry Van de Velde, was born in Belgium, in Antwerp, in 1863 and died in Switzerland in 1957. A wolf in sheep’s clothing: designed by Henry van de Velde, Hôtel Wolfers is frozen in a state of ruin, an artwork in its own right Conspicuous in a genteel southern suburb of mild-mannered 19th-century townhouses in Brussels, the round-cornered, Roman-bricked Hôtel Wolfers was designed in 1929 by Henry van de Velde. Henry van de Velde found some refuge for his ideals in Arts & Crafts, but in accepting the value of mass production he was at odds with the fundamental beliefs of its founder. The Belgian architect,artist and designer Henry van de Velde is a leading exponent of both "Jugendstil" and "New Objectivity". A valuable extract from his Memoirs (1891–1901) was published in the Architectural Review, 112:143–148 (September 1952). Henry van de Velde – Passion, Function, Beauty is a treasure trove of objets d’art you’d dream of having in your own home. Ring in the new year with a Britannica Membership, This article was most recently revised and updated by, https://www.britannica.com/biography/Henry-van-de-Velde, Goethe Institut - Biography of Henry van de Velde, Henry Van de Velde - Student Encyclopedia (Ages 11 and up). A beautiful example of this is his house in Weimar, Hohe Papplin Haus, with its stunning sky jutting angles. Henry van de Velde is a belgian artist, architect and interior designer who is considered one of the founders of the Art Nouveau style. Despite official appointments in Belgium, van de Velde after 1918 made no further contributions to architecture or design. In each he adhered to the principal of exposing the interiors to natural light with large windows that brought nature inside. A friend of the architect described the house as looking from the outside: small, solid and organic, like a plant growing out of the soil, and with its many angles it certainly does have something of the picturesque. Other impressive Weimar buildings include Van de Velde’s house Hohe Pappeln (1907/1908), the Dürckheim villa (1912/1913) and the Henneberg villa (1913/1914). Today the villa houses a museum that presents Van de Velde’s work in an unparalleled fashion. Architects, Architecture https://www.architectural-review.com/.../henry-van-de-velde-1863-1957 His range was prodigious: from furniture, jewellery and dress design to interiors and entire buildings. Henry van de Velde's numerous multi-purpose drawing-room, tea and occasional table models were designed to meet the needs of his clients as well as those of his own household. There, influenced by the philosophy of William Morris and the Arts and Crafts Movement, he reorganized the Kunstgewerbeschule (Arts-and-Crafts School) and the academy of fine art and thus laid the foundations for Walter Gropius’ amalgamation of the two bodies into the Bauhaus in 1919. The precise location of an object in a space is important from both a functional and an aesthetic standpoint. The stunning Art Nouveau buildings he designed still exist in Germany’s Thuringer and Saxony region. But there’s significance in this, too, as Henry and Maria van de Velde were passionate about being outside and in their garden. Another is the airy interior he designed for the Nietzsche Archives that houses the papers of noted German philosopher Frederick Nietzsche. Henry van de Velde, in full Henry Clemens Van De Velde, (born April 3, 1863, Antwerp, Belg.—died Oct. 25, 1957, Zürich, Switz. Hendy van de Velde's house, Hohe Papplin Haus in Weimar. What Van de Velde was to Art Nouveau architecture Walter Gropius was to Bauhaus. L'art nouveau design was meant reflect nature like the extension of a flower from it's base and leaves. His fiancee is Maria Sèthe (m. 1894–1943). Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. He died on October 25, 1957, Oberägeri, Switzerland. ), Belgian architect and teacher who ranks with his compatriot Victor Horta as an originator of the Art Nouveau style, characterized by long sinuous lines derived from naturalistic forms. In 1902 the Grand Duke of Weimar contracted Van de Velde to design two buildings for his School of Art and Applied Arts, now Bauhaus University. Influencé par la peinture Monet, de Renoir et van Gogh, Il est entré en 1889 au groupe d'avant-garde Les XX (Les vents) et peints sur les lignes du Néo-impressionnisme Français. biographie. Henry Clemens Van de Velde was a Belgian painter, architect, interior designer, and art theorist. Henry van de Velde came to Weimar from Belgium in 1902 at the initiative of Harry Graf Kessler. The building is now a UNESCO World Heritage Site. Henry van de Velde - Architectuul. But the scheme foundered on clashes between Kessler and Förster and outrage at raising support outside Germany. Another Art Nouveau great Henry Van de Velde. Articles from Britannica Encyclopedias for elementary and high school students. Designed by Henry van de Velde in 1904 when it was the School of Art and Applied Arts. In 1913, the Deutscher Werkbund charges Henry van de Velde, architect, industrial designer and Belgian painter, construction of a theater for the 1914 Werkbund Exhibition in Cologne, Germany. For information click here. Van de Velde is the most international artist of the Art Nouveau movement and one of the major. By designing furniture and interiors for the Paris art galleries of Samuel Bing in 1896, van de Velde was responsible for bringing the Art Nouveau style to Paris. © 2021 Dwell Life, Inc. All rights reserved. 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